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Keywords: Accommodations

Historical Items

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Item 25541

Request for accommodations, New Hampshire, 1882

Contributed by: Poland Spring Preservation Society Date: 1882 Location: Poland Spring Media: Ink on paper, postcard

Item 28349

Frank Gage to G.W. Pierce on Augusta accommodations, 1833

Contributed by: Maine Historical Society Date: 1833 Media: Ink on paper

  view a full transcription

Item 109068

Searsport House, ca. 1915

Contributed by: Penobscot Marine Museum Date: circa 1915 Location: Searsport Media: Glass Plate Negative

Architecture & Landscape

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Item 151418

Brewster House Bed & Breakfast, Freeport, 1993-1994

Contributed by: Maine Historical Society Date: 1993–1994 Location: Freeport Clients: Matt Cartmell; Amy Cartmell Architect: Carol A. Wilson; Carol A. Wilson Architect

Online Exhibits

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Exhibit

Shaarey Tphiloh, Portland's Orthodox Synagogue

Shaarey Tphiloh was founded in 1904 by immigrants from Eastern Europe. While accommodating to American society, the Orthodox synagogue also has retained many of its traditions.

Exhibit

Music in Maine - Drum, Portland, ca. 1854

"… smaller than prior drums by about two inches to accommodate the drummers, who were often younger boys."

Exhibit

Music in Maine - HEAR

"… changing record players, the machines eventually accommodated multiple records, and those of different revolutions per minute (RPM) from 78, 45, 33…"

Site Pages

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Site Page

Mount Desert Island: Shaped by Nature - Inns

"… 1893Southwest Harbor Public Library Making Accommodations By the mid-1880s, Bar Harbor boasted dozens of well-appointed hotels, including Rodick…"

Site Page

Mount Desert Island: Shaped by Nature - Rusticators come to MDI

"Boarding houses were built to accommodate this new influx of summer visitors – often referred to as “rusticators”."

Site Page

John Martin: Expert Observer - Steamer "Bangor," 1847

"… as a freight vessel, so there were no sleeping accommodations -- and insufficient food. The beleaguered party, tired and hungry, arrived back in…"

My Maine Stories

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Story

The Oakfield Inn
by Rodney Duplisea

This is a summarized article about the opening of the Oakfield Inn. It appeared in the Bangor Daily

Story

A first encounter with Bath and its wonderful history
by John Decker

Visiting the Maine Maritime Museum as part of a conference

Story

John Coyne from Waterville Enlists as a Railroad Man in WWI
by Mary D. Coyne

Description of conditions railroad men endured and family background on John Coyne.

Lesson Plans

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Lesson Plan

Longfellow Studies: The American Wilderness? How 19th Century American Artists Viewed the Separation Of Civilization and Nature

Grade Level: 9-12 Content Area: Social Studies, Visual & Performing Arts
When European settlers began coming to the wilderness of North America, they did not have a vision that included changing their lifestyle. The plan was to set up self-contained communities where their version of European life could be lived. In the introduction to The Crucible, Arthur Miller even goes as far as saying that the Puritans believed the American forest to be the last stronghold of Satan on this Earth. When Roger Chillingworth shows up in The Scarlet Letter's second chapter, he is welcomed away from life with "the heathen folk" and into "a land where iniquity is searched out, and punished in the sight of rulers and people." In fact, as history's proven, they believed that the continent could be changed to accommodate their interests. Whether their plans were enacted in the name of God, the King, or commerce and economics, the changes always included – and still do to this day - the taming of the geographic, human, and animal environments that were here beforehand. It seems that this has always been an issue that polarizes people. Some believe that the landscape should be left intact as much as possible while others believe that the world will inevitably move on in the name of progress for the benefit of mankind. In F. Scott Fitzgerald's The Great Gatsby – a book which many feel is one of the best portrayals of our American reality - the narrator, Nick Carraway, looks upon this progress with cynicism when he ends his narrative by pondering the transformation of "the fresh green breast of a new world" that the initial settlers found on the shores of the continent into a modern society that unsettlingly reminds him of something out of a "night scene by El Greco." Philosophically, the notions of progress, civilization, and scientific advancement are not only entirely subjective, but also rest upon the belief that things are not acceptable as they are. Europeans came here hoping for a better life, and it doesn't seem like we've stopped looking. Again, to quote Fitzgerald, it's the elusive green light and the "orgiastic future" that we've always hoped to find. Our problem has always been our stoic belief system. We cannot seem to find peace in the world either as we've found it or as someone else may have envisioned it. As an example, in Miller's The Crucible, his Judge Danforth says that: "You're either for this court or against this court." He will not allow for alternative perspectives. George W. Bush, in 2002, said that: "You're either for us or against us. There is no middle ground in the war on terror." The frontier -- be it a wilderness of physical, religious, or political nature -- has always frightened Americans. As it's portrayed in the following bits of literature and artwork, the frontier is a doomed place waiting for white, cultured, Europeans to "fix" it. Anything outside of their society is not just different, but unacceptable. The lesson plan included will introduce a few examples of 19th century portrayal of the American forest as a wilderness that people feel needs to be hesitantly looked upon. Fortunately, though, the forest seems to turn no one away. Nature likes all of its creatures, whether or not the favor is returned. While I am not providing actual activities and daily plans, the following information can serve as a rather detailed explanation of things which can combine in any fashion you'd like as a group of lessons.