Search Results

Keywords: Building of Arts

Historical Items

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Item 18965

Building of Arts, Bar Harbor, ca. 1930

Contributed by: Jesup Memorial Library Date: circa 1920 Location: Bar Harbor Media: Postcard

Item 18964

Building of Arts, Bar Harbor, ca. 1910

Contributed by: Jesup Memorial Library Date: circa 1910 Location: Bar Harbor Media: Postcard

Item 12391

View from McMillan School of Fine Arts, Rome, 1933

Contributed by: Hollingsworth Fine Arts Date: circa 1933 Location: Rome; Belgrade Lakes Media: Printed black and white photo in original brochure

Tax Records

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Item 76259

95-107 Spring Street, Portland, 1924

Owner in 1924: Portland Society of Art Style: Federal Use: Art Museum

Item 76260

95-107 Spring Street, Portland, 1924

Owner in 1924: Portland Society of Art Style: Greek Revival Use: Art School

Item 38782

Assessor's Record, 530-534 Congress Street, Portland, 1924

Owner in 1924: John Porteous Use: Store Building

Architecture & Landscape

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Item 150750

Block for Norway Building Association, Norway, 1881

Contributed by: Maine Historical Society Date: 1881 Location: Norway Client: Norway Building Association Architect: George M. Coombs

Item 151456

Tides Institute and Museum of Art, Eastport, 2015-2016

Contributed by: Maine Historical Society Date: 2015–2016 Location: Eastport; Eastport Client: Tides Institute and Museum of Art Architect: Carol A. Wilson; Carol A. Wilson Architect

Item 151417

Unity of Portland, Windham, 1991-1994

Contributed by: Maine Historical Society Date: 1991–1994 Location: Windham; Portland Client: Unity Spiritual Center of Portland Architect: Carol A. Wilson; Carol A. Wilson Architect

Online Exhibits

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Exhibit

Art of the People: Folk Art in Maine

For many different reasons people saved and carefully preserved the objects in this exhibit. Eventually, along with the memories they hold, the objects were passed to the Maine Historical Society. Object and memory, serve as a powerful way to explore history and to connect to the lives of people in the past.

Exhibit

A City Awakes: Arts and Artisans of Early 19th Century Portland

Portland's growth from 1786 to 1860 spawned a unique social and cultural environment and fostered artistic opportunity and creative expression in a broad range of the arts, which flowered with the increasing wealth and opportunity in the city.

Exhibit

Drawing Together: Art of the Longfellows

Henry Wadsworth Longfellow is best know as a poet, but he also was accomplished in drawing and music. He shared his love of drawing with most of his siblings. They all shared the frequent activity of drawing and painting with their children. The extended family included many professional as well as amateur artists, and several architects.

Site Pages

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Site Page

Early Maine Photography - Art

"… Historical Society An image of another folk art portrait survives in the daguerreotype of a painting of Eliphaz Chapman of Gilead."

Site Page

Guilford, Maine - BUILDINGS - Page 4 of 5

"… from the community, under the direction of art teacher Mary Lightbody, drew and water-colored images of the old building."

Site Page

Early Maine Photography - Art - Page 1 of 2

"Daveis was an attorney who played a significant role in the settlement of the dispute with Great Britain over Maine’s northeast boundary."

My Maine Stories

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Story

Scientist Turned Artist Making Art Out of Trash
by Ian Trask

Bowdoin College alum returns to midcoast Maine to make environmentally conscious artwork

Story

Sister Therese Bouthot:Life of service as a Good Shepherd sister
by Biddeford Cultural & Heritage Center

From humble beginnings to playing a leadership role in the service of others

Story

Monument Square 1967
by C. Michael Lewis

The background story and research behind a commissioned painting of Monument Square.

Lesson Plans

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Lesson Plan

Longfellow Studies: The Writer's Hour - "Footprints on the Sands of Time"

Grade Level: 3-5 Content Area: English Language Arts, Social Studies
These lessons will introduce the world-famous American writer and a selection of his work with a compelling historical fiction theme. Students take up the quest: Who was HWL and did his poetry leave footprints on the sands of time? They will "tour" his Cambridge home through young eyes, listen, and discuss poems from a writer’s viewpoint, and create their own poems inspired by Longfellow's works. The interdisciplinary approach utilizes critical thinking skills, living history, technology integration, maps, photos, books, and peer collaboration. The mission is to get students keenly interested in what makes a great writer by using Longfellow as a historic role model. The lessons are designed for students at varying reading levels. Slow learners engage in living history with Alice’s fascinating search through the historic Craigie house, while gifted and talented students may dramatize the virtual tour as a monologue. Constant discovery and exciting presentations keep the magic in lessons. Remember that, "the youthful mind must be interested in order to be instructed." Students will build strong writing skills encouraging them to leave their own "footprints on the sands of time."

Lesson Plan

Bicentennial Lesson Plan

Building Community/Community Buildings

Grade Level: 6-8 Content Area: Social Studies
Where do people gather? What defines a community? What buildings allow people to congregate to celebrate, learn, debate, vote, and take part in all manner of community activities? Students will evaluate images and primary documents from throughout Maine’s history, and look at some of Maine’s earliest gathering spaces and organizations, and how many communities established themselves around certain types of buildings. Students will make connections between the community buildings of the past and the ways we express identity and create communities today.

Lesson Plan

Longfellow Studies: "The Jewish Cemetery at Newport"

Grade Level: 6-8, 9-12 Content Area: English Language Arts, Social Studies
Longfellow's poem "The Jewish Cemetery at Newport" opens up the issue of the earliest history of the Jews in America, and the significant roles they played as businessmen and later benefactors to the greater community. The history of the building itself is notable in terms of early American architecture, its having been designed, apparently gratis, by the most noted architect of the day. Furthermore, the poem traces the history of Newport as kind of a microcosm of New England commercial cities before the industrialization boom. For almost any age student the poem could be used to open up interest in local cemeteries, which are almost always a wealth of curiousities and history. Longfellow and his friends enjoyed exploring cemeteries, and today our little local cemeteries can be used to teach little local histories and parts of the big picture as well. Henry Wadsworth Longfellow visited the Jewish cemetery in Newport, RI on July 9, 1852. His popular poem about the site, published two years later, was certainly a sympathetic portrayal of the place and its people. In addition to Victorian romantic musings about the "Hebrews in their graves," Longfellow includes in this poem references to the historic persecution of the Jews, as well as very specific references to their religious practices. Since the cemetery and the nearby synagogue were restored and protected with an infusion of funding just a couple years after Longfellow's visit, and later a congregation again assembled, his gloomy predictions about the place proved false (never mind the conclusion of the poem, "And the dead nations never rise again!"). Nevertheless, it is a fascinating poem, and an interesting window into the history of the nation's oldest extant synagogue.