Keywords: Family pictures
Item 36312
Elias Thomas family, Portland, ca. 1909
Contributed by: An individual through Maine Historical Society Date: circa 1909 Location: Portland Media: Photographic print
Item 81727
Charles K. Savage and family, Northeast Harbor, ca. 1946
Contributed by: Mount Desert Island Historical Society Date: circa 1946 Location: Mount Desert Media: Photographic print
Item 32108
Assessor's Record, 100-102 Allen Avenue, Portland, 1924
Owner in 1924: Rose Low Use: Dwelling - Single family
Exhibit
Henry Wadsworth Longfellow's popularity in the 19th century is reflected by the number of images of him -- in a variety of media -- that were produced and reproduced, some to go with published works of his, but many to be sold to the public on cards and postcards.
Exhibit
MY ISLAND HOME: Verlie Colby Greenleaf of Westport Island
Verlie Greenleaf (1891-1992) bore witness to over a century of Westport Island's history. Many changes occurred during Verlie's 100-year life. Verlie Greenleaf donated photographs, personal notes, and sat for an interview in 1987, all part of the Westport Island History Committee's collection. Her words frame this exhibition, providing a first-person account of her life.
Site Page
Mount Desert Island: Shaped by Nature - Lodging and Hotels: A Savage Family Business
"UNDER CONSTRUCTION Asticou Inn Owned by family members Augustus Chase Savage, George A. Savage, and Charles K. Savage from 1883-1964."
Site Page
Bath's Historic Downtown - Church Block
"A typical picture, like the Hatch portrait of the little girls, was elaborately printed in gilded letters that advertised his good taste, location…"
Story
Maine family across the USA
by James Burton Wengler (Robinson)
A Maine family scattered across the USA
Story
Michael Reilly: preserving an iconic family business
by Biddeford Cultural & Heritage Center
The story behind Reilly's Bakery, at the heart of Biddeford’s Main Street for 100+ years
Lesson Plan
Grade Level: 3-5, 6-8, 9-12
Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.