Keywords: High St.
Item 77894
St. Albans Academy Catalogue, 1849
Contributed by: Cheryl Vigue through St. Albans Historical Society Date: 1849 Location: St. Albans Media: Ink on paper
Item 72846
Edna St. Vincent Millay, Camden High School dues, ca. 1940
Contributed by: Camden Public Library Date: circa 1940 Location: Camden; Austerlitz Media: Paper
Item 58054
Garage, High through to Spring Street Place, Portland, 1924
Owner in 1924: Abraham Goodside Use: Garage
Item 57992
85-91 High Street (ext), Portland, 1924
Owner in 1924: St. Elizabeth Orphan Asylum Use: School
Item 150962
Alterations to New Jerusalem Church, High St. for C.B. Dalton, Portland, ca. 1903
Contributed by: Maine Historical Society Date: circa 1904 Location: Portland Client: Charles B. Dalton Architect: Frederick A. Tompson
Item 151763
Proposed addition to the High School building for the city of South Portland, 1935-1937
Contributed by: Maine Historical Society
Date: 1935–1937
Location: South Portland
Client: CIty of South Portland
Architect: Miller & Beal Inc. Architects
This record contains 4 images.
Exhibit
John Bapst High School was dedicated in September 1928 to meet the expanding needs of Roman Catholic education in the Bangor area. The co-educational school operated until 1980, when the diocese closed it due to decreasing enrollment. Since then, it has been a private school known as John Bapst Memorial High School.
Exhibit
Graduations -- and schools -- in the 19th through the first decade of the 20th century often were small affairs and sometimes featured student presentations that demonstrated what they had learned. They were not necessarily held in May or June, what later became the standard "end of the school year."
Site Page
John Martin: Expert Observer - Wood pile, 130 Center St., Bangor, ca. 1864
"Wood pile, 130 Center St., Bangor, ca. 1864 Contributed by Maine Historical Society and Maine State Museum Description John Martin…"
Site Page
John Bapst Memorial High School
View collections, facts, and contact information for this Contributing Partner.
Story
Norman Sevigny: history of a neighborhood grocery store
by Biddeford Cultural & Heritage Center
Growing up in a Franco-American community and working in the family business, Sevigny’s Market
Story
Bert Gagne-from star athlete to community barber
by Biddeford Cultural & Heritage Center Voices of Biddeford project
Bert’s personal account of his lifelong non-stop approach including his 60+ years as a barber.
Lesson Plan
Portland History: "My Lost Youth" - Longfellow's Portland, Then and Now
Grade Level: 6-8, 9-12
Content Area: English Language Arts, Social Studies
Henry Wadsworth Longfellow loved his boyhood home of Portland, Maine. Born on Fore Street, the family moved to his maternal grandparents' home on Congress Street when Henry was eight months old. While he would go on to Bowdoin College and travel extensively abroad, ultimately living most of his adult years in Cambridge, Massachusetts, he never forgot his beloved Portland.
Years after his childhood, in 1855, he wrote "My Lost Youth" about his undiminished love for and memories of growing up in Portland. This exhibit, using the poem as its focus, will present the Portland of Longfellow's boyhood. In many cases the old photos will be followed by contemporary images of what that site looked like 2004.
Following the exhibit of 68 slides are five suggested lessons that can be adapted for any grade level, 3–12.
Lesson Plan
Longfellow Studies: Longfellow Meets German Radical Poet Ferdinand Freiligrath
Grade Level: 9-12
Content Area: English Language Arts, Social Studies
During Longfellow's 1842 travels in Germany he made the acquaintance of the politically radical Ferdinand Freiligrath, one of the influential voices calling for social revolution in his country. It is suggested that this association with Freiligrath along with his return visit with Charles Dickens influenced Longfellow's slavery poems. This essay traces Longfellow's interest in the German poet, Freiligrath's development as a radical poetic voice, and Longfellow's subsequent visit with Charles Dickens. Samples of verse and prose are provided to illustrate each writer's social conscience.