Maine Memory Network

Dana Warp Mill at night, Westbrook, ca. 1938

Contributed by: Boston Public Library Location: Westbrook Media: Linen texture postcard

Kotzschmar Club program back, 1950

Contributed by: Friends of the Kotzschmar Organ Date: 1950-01-27 Location: Portland Media: Ink on paper

Assessor's Record, 2-40 West Commercial Street, Portland, 1924

Owner in 1924: Portland Gas Light Co. Use: Night Storage Bin

Home: The Wadsworth-Longfellow House and Portland - The Privy

"These men became known as "night men." Privies served as repositories for human waste and as receptacles (or trashcans) for the daily waste generated…"

Student Exhibit: Logging on Kennebec River

I became interested in the Kennebec River log drive when my grandfather would tell me stories. He remembers watching the logs flow down the river from his home in Fairfield, a small town along the Kennebec River.

Farmington: Franklin County's Shiretown - SEE NOTES Ladies Third Annual Banquet. Farmington, Maine. 1893. Menu.

"The cold February night was no deterrence for the gala as 130 persons attended. View additional information about this item on the Maine Memory…"

Farmington: Franklin County's Shiretown - Ladies' Third Annual Banquet, Farmington, 1893

"The cover refers to "Gentlemen's Night"--the previous two annual events had been for ladies only. This was organized by an ad hoc group of women…"

First night on the pulp pile at zero degrees, to mill foreman
by Arthur Benedetto

I worked my way up in International Paper, moving from the pick ax pile to a foreman on computers

Saturday Evening Dances at the Westport Town Hall
by Deborah G. Greenleaf

Fond Memories of Westport Island

Longfellow Studies: The American Wilderness? How 19th Century American Artists Viewed the Separation Of Civilization and Nature

Grade Level: 9-12 Content Area: Social Studies, Visual & Performing Arts
When European settlers began coming to the wilderness of North America, they did not have a vision that included changing their lifestyle. The plan was to set up self-contained communities where their version of European life could be lived. In the introduction to The Crucible, Arthur Miller even goes as far as saying that the Puritans believed the American forest to be the last stronghold of Satan on this Earth. When Roger Chillingworth shows up in The Scarlet Letter's second chapter, he is welcomed away from life with "the heathen folk" and into "a land where iniquity is searched out, and punished in the sight of rulers and people." In fact, as history's proven, they believed that the continent could be changed to accommodate their interests. Whether their plans were enacted in the name of God, the King, or commerce and economics, the changes always included – and still do to this day - the taming of the geographic, human, and animal environments that were here beforehand. It seems that this has always been an issue that polarizes people. Some believe that the landscape should be left intact as much as possible while others believe that the world will inevitably move on in the name of progress for the benefit of mankind. In F. Scott Fitzgerald's The Great Gatsby – a book which many feel is one of the best portrayals of our American reality - the narrator, Nick Carraway, looks upon this progress with cynicism when he ends his narrative by pondering the transformation of "the fresh green breast of a new world" that the initial settlers found on the shores of the continent into a modern society that unsettlingly reminds him of something out of a "night scene by El Greco." Philosophically, the notions of progress, civilization, and scientific advancement are not only entirely subjective, but also rest upon the belief that things are not acceptable as they are. Europeans came here hoping for a better life, and it doesn't seem like we've stopped looking. Again, to quote Fitzgerald, it's the elusive green light and the "orgiastic future" that we've always hoped to find. Our problem has always been our stoic belief system. We cannot seem to find peace in the world either as we've found it or as someone else may have envisioned it. As an example, in Miller's The Crucible, his Judge Danforth says that: "You're either for this court or against this court." He will not allow for alternative perspectives. George W. Bush, in 2002, said that: "You're either for us or against us. There is no middle ground in the war on terror." The frontier -- be it a wilderness of physical, religious, or political nature -- has always frightened Americans. As it's portrayed in the following bits of literature and artwork, the frontier is a doomed place waiting for white, cultured, Europeans to "fix" it. Anything outside of their society is not just different, but unacceptable. The lesson plan included will introduce a few examples of 19th century portrayal of the American forest as a wilderness that people feel needs to be hesitantly looked upon. Fortunately, though, the forest seems to turn no one away. Nature likes all of its creatures, whether or not the favor is returned. While I am not providing actual activities and daily plans, the following information can serve as a rather detailed explanation of things which can combine in any fashion you'd like as a group of lessons.