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Keywords: bonnets

Historical Items

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Item 16977

Knoxx Fluter, ca. 1866

Contributed by: Aroostook County Historical and Art Museum Date: circa 1866 Location: Houlton; New York Media: Steel

Item 48978

Woman's silk bonnet, Portland, ca. 1840

Contributed by: Maine Historical Society Date: circa 1840 Media: Silk, steel, buckram, cotton
This record contains 8 images.

Item 101107

Fashion in Bangor, 1865

Contributed by: Maine Historical Society and Maine State Museum Date: circa 1865 Location: Bangor Media: Ink on paper

Online Exhibits

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Exhibit

Northern Threads: Outerwear, Militia & Cadet uniforms

A themed vignette within "Northern Threads Part I," featuring 19th century outerwear, bonnets, militia and cadet uniforms.

Exhibit

Dressing Up, Standing Out, Fitting In

Adorning oneself to look one's "best" has varied over time, gender, economic class, and by event. Adornments suggest one's sense of identity and one's intent to stand out or fit in.

Exhibit

Northern Threads: Two centuries of dress at Maine Historical

Organized by themed vignettes, Northern Threads shares stories about Maine people, while exploring how the clothing they wore reveals social, economic, and environmental histories. This re-examination of Maine Historical Society's permanent collection is an opportunity to consider the relevance of historic clothing in museums, the ebb and flow of fashion styles, and the complexities of diverse representation spanning 200 years of collecting.

Site Pages

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Site Page

John Martin: Expert Observer - Fashion in Bangor, 1865

"… and commented on what had changed, especially in bonnets, in 37 years. Martin wrote, on page 88 of the "Scrap & Sketch Book" that he began on June…"

Site Page

John Martin: Expert Observer - Elizabeth Blowers, Bangor, ca. 1864

"… wrote that Blowers is shown "In a Habit with no Bonnet & with high comb." Fashion -- for both men and women -- was one of Martin's interests."

Site Page

Early Maine Photography - Art - Page 1 of 2

"… 1830-50 folk art painting of a woman wearing a bonnet was copied on a tintype. More formal portraits are represented in daguerreotype copies of…"