Search Results

Keywords: style

Historical Items

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Item 9796

Federal Style House, Limerick, ca. 1895

Contributed by: Sanford-Springvale Historical Society Date: circa 1900 Location: Limerick Media: Photographic print

Item 9794

Queen Anne Style House, Sanford, ca. 1910

Contributed by: Sanford-Springvale Historical Society Date: circa 1910 Location: Sanford Media: Photographic print

Item 10578

Knox side chair, ca. 1790

Contributed by: The General Henry Knox Museum Date: circa 1790 Location: Thomaston Media: Mahogany, leather

Tax Records

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Item 83543

Peters property, N. Side Spruce Avenue, Peaks Island, Portland, 1924

Owner in 1924: Annie E. Peters Use: Summer Dwelling

Item 32174

23-27 Alton Street, Portland, 1924

Owner in 1924: George A Dingley Style: Shingle Style Use: Dwelling - Single family

Item 32221

10-12 Arcadia Street, Portland, 1924

Owner in 1924: Annie S Chick Style: Shingle Style Use: Dwelling - Single family

Architecture & Landscape

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Item 150318

Queen Anne style house, 1895

Contributed by: Maine Historical Society Date: 1895 Client: unknown Architect: John Calvin Stevens

Item 150324

Shingle style house, Portland, 1881

Contributed by: Maine Historical Society Date: 1881 Location: Portland Client: unknown Architect: John Calvin Stevens; Fassett & Stevens Architects

Item 151642

John Calvin Stevens house, Portland, 1884-1905

Contributed by: Maine Historical Society Date: 1884–1905 Location: Portland Client: John Calvin Stevens Architect: John Calvin Stevens

Online Exhibits

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Exhibit

Cosmopolitan stylings of Mildred and Madeleine Burrage

Born in Portland, sisters Mildred Giddings Burrage (1890-1983) and Madeleine Burrage (1891-1976) were renowned artists and world travelers. Mildred's experiences studying painting in Paris and Italy, and the sisters' trips to Mexico and Guatemala inspired their artwork and shared passions for cosmopolitan and stylish attire. Housed at Maine Historical Society, The Burrage Papers include selections of original advertising drawings called "line sheets" from Parisian fashion houses dating from 1928 to 1936. Images of Madeleine's gemstone jewelry and Mildred's artwork accompany intimate family photographs of the sisters.

Exhibit

Northern Threads: The rise and fall of the gigot sleeve

A themed exhibit vignette within "Northern Threads Part I," featuring the balloon-like gigot sleeve of the 1830s.

Exhibit

The Mainspring of Fashion

The mainspring of fashion is the process whereby members of one class imitate the styles of another, who in turn are driven to ever new expedients of fashionable change.

Site Pages

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Site Page

Presque Isle: The Star City - The History of Laundry, Aroostook County Style - Page 2 of 2

"The History of Laundry, Aroostook County Style Presque Isle Historical Society Sadie took the clothes and hung them on a line outside."

Site Page

Presque Isle: The Star City - The History of Laundry, Aroostook County Style - Page 1 of 2

"The History of Laundry, Aroostook County Style Text by Ben, a Presque Isle Middle School student Images from the Presque Isle Historical Society…"

Site Page

Thomaston: The Town that Went to Sea - Thomaston Architecture in the 20th Century

"The various architectural styles blend nicely throughout the town, reflecting the various customs, styles and tastes of their occupants over the…"

My Maine Stories

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Story

Harold's Garage, Rome Hollow, Maine
by Mimi C

Story about Harold Hawes, owner of Harold's garage and self-styled auctioneer in Rome Hollow, Maine

Story

From Brooklyn to Maine
by Samuel Gelber

Moving to Maine changed my artistic style, and I continue to learn from the landscape every day.

Story

Powwow Music
by Chris Sockalexis

Playing powwow music with my group, the RezDogs

Lesson Plans

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Lesson Plan

Longfellow Studies: "Evangeline: A Tale of Acadie"--Selected Lines and Illustrations

Grade Level: 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
Henry Wadsworth Longfellow, Maine's native son, is the epitome of Victorian Romanticism. Aroostook County is well acquainted with Longfellow's epic poem, Evangeline, because it is the story of the plight of the Acadians, who were deported from Acadie between 1755 and 1760. The descendants of these hard-working people inhabit much of Maine, New Brunswick, and Nova Scotia. The students enjoy hearing the story and seeing the ink drawings. The illustrations are my interpretations. The collection took approximately two months to complete. The illustrations are presented in a Victorian-style folio, reminiscent of the family gathered in the parlor for a Sunday afternoon reading of Evangeline, which was published in 1847. Preparation Required/Preliminary Discussion: Have students read "Evangeline A Tale of Acadie". Give a background of the Acadia Diaspora. Suggested Follow-up Activities: Students could illustrate their own poems, as well as other Longfellow poems, such as: "Paul Revere's Ride," "The Village Blacksmith," or "The Children's Hour." "Tales of the Wayside Inn" is a colonial Canterbury Tales. The guest of the inn each tell stories. Student could write or illustrate their own characters or stories. Appropriate calligraphy assignments could include short poems and captions for their illustrations. Inks, pastels, watercolors, and colored pencils would be other appropriate illustrative media that could be applicable to other illustrated poems and stories. Each illustration in this exhibit was made in India ink on file folder paper. The dimensions, including the burgundy-colors mat, are 9" x 12". A friend made the calligraphy.